29 August 2014

Vertical elevator

 Boat and Grain Elevators no. 2 (1942)


 Buffalo Grain Elevators (1937)


 Factory Roofs (1934)


 Grain Elevators from the Bridge


 Grain Elevators, Buffalo (1942)


 Harbor Scene


 Overseas Highway (1939)


 Public Grain Elevator of New Orleans (1938)


 Sanford Tank no. 2 (1939)


 St. Petersburg to Tampa (1938)


Steel Foundry, Coatesville, PA (1936–37)


Ralston Crawford (1906-1978) was a American painter, printmaker and photographer of Canadian birth. After attending high school in Buffalo, NY, he worked on tramp steamers in the Caribbean.

His paintings of the early 1930s were influenced by the work of Paul Cézanne and Juan Gris. He was also attracted to the simplified cubism of Stuart Davis, with its restricted primary color schemes. After a trip to Paris in 1932–33, his flat, geometric treatment of architectural and industrial subjects in paintings – such as Vertical Building (1934) – led him to be associated with Precisionism.


Vertical Building (1934)

After 1940 Ralston Crawford almost eliminated modeling from his work in favor of flat and virtually abstract architectural renderings – such as Third Avenue Elevated (1949).


 Third Avenue Elevated (1949)


Third Avenue Elevated no. 3 (1952)



source: all art dot org



27 August 2014

(No) respect for brutalism









The Prentice Women's Hospital was designed by master modern architect Bertrand Goldberg, in Chicago.

1973

1974

1975

Composed of a nine-story concrete cloverleaf tower cantilevered over a rectangular five-story podium, it was opened in 1975.

Released on October 2013, this 8-minute documentary, The Absent Column, talks about the struggle to save the building from demolition:
http://vimeo.com/77616076



And also:

Prentice Hospital is Falling Down




11 August 2014

A Coney Island of the mind

 @11:09


 @17:43


 @18:41


 @21:28


 @22:12


 @24:29


 @25:02


 @29:03


 @45:18


@48:07


Coney Island is a peninsula on the Atlantic Ocean.
 
The 10 altered screen shots come from a youtube movie and are soundly placed here to tease you to watch it.



What a fascinating documentary! Americana.





A Coney Island of last week
photo by my friend Evelyne


06 August 2014

Indigene, wild flowers of Australia

Indigene is a series of paintings by artist Christine Johnson. The huge artworks celebrate the unique forms of Australia's native flora.


Ceratopetalum gummiferum



Chamelaucium unicatum



Grevillea banksii



Guichenotia ledifolia



Lasiosepalum involucratum



Lechenaultia biloba



Spyridium halmaturinum


« There were also besides, some Plants, Herbs and tall Flowers, some very small Flowers, growing on the Ground, that were sweet and beautiful, and for the most part unlike any I had seen elsewhere.»

– Captain William Dampier
A Voyage to New Holland (1699)



In this series of paintings Christine Johnson made her own exploration of the indigenous flora, experiencing some of the wonder that Captain William Dampier perhaps felt as he peered at the tiny flowers at Shark Bay, Australia.


Hippopotamus or Mountain Cow
from A Continuation of A Voyage to New Holland, e-c. in the year 1699 ... London- By W. Botham for J. Knapton, 1709.



29 July 2014

Luminous wildlife

Gräsänder


Luminous wildlife artist, Bruno Liljefors (1860-1939) was a Swedish painter. His works combine an appreciation for biological and ecological principles with a mastery of realistic impressionism, setting a new standard for wildlife art. (More @ National wildlife federation.)


1886, Tornseglare
 
 
1888, Steglitsor


1890, Rapphöna med tusenskönor


1891, Vinterlandskap med domherrar


I paint animal portraits, Bruno Liljefors said in 1902.
 

1918, Svanar


1918, Svanar


He portrayed the predator and prey relationship with a variety of players and in various stages of the action.

His predator and prey interactions were in his estimation the most intense and dramatic event that an animal would encounter in its life, says Martha Hill, the author of a biography that celebrates his artistry.


1920, Fällande örnar mot vinterhare


1920, Svanar vid strandkanten


1924, Örn jagande hare


1924, Svanar


His later works were simplified and looked more modernist.


1937, Ejdrar på kobbe


1937, Orrar i vinterlandskap


1938, Räv och gräsand


Bruno Liljefors painted many birds, as you can see, but also a few human portraits and several foxes.